SENIOR PORTRAITS · STYLE GUIDE

South Shore Photography, based in Rockland, MA, photographs high school seniors across Hingham, Scituate, Duxbury, Norwell, Cohasset, Plymouth, and the surrounding South Shore communities. Photographer Chris McCarthy has guided hundreds of seniors through the outfit planning process — and what follows is everything he's learned about what works, what doesn't, and how to walk into your session feeling genuinely confident.
Outfit planning is the part of senior portrait prep that generates the most anxiety — and honestly, it shouldn't. After photographing seniors across the South Shore for years, I can tell you that a great portrait is about presence, not wardrobe. But there are real choices that make a significant difference, and I want to walk you through exactly what I tell every senior before we shoot. Get this right and you'll spend your session focused on having fun, not second-guessing your clothes.
A photograph compresses everything into a flat frame. Things that feel invisible in real life — a slightly tight collar, a distracting logo, a color that fights with the background — become permanent in a photograph. Conversely, a well-chosen outfit that fits beautifully and complements the location can make even a simple pose look intentional and editorial.
The South Shore's shooting environments add another layer to this. Our locations — the rocky coastline at Scituate Lighthouse, the golden meadows at World's End in Hingham, the marshes along the North River in Norwell, the wooded trails in Duxbury — each have their own color palette and mood. What photographs beautifully at the beach may not have the same impact in a forest setting. When possible, I always ask seniors about their planned outfits before we confirm the location, because the two choices are genuinely connected.
The good news: you don't need a huge budget or a fashion background to get this right. The principles are simple and once you understand them, they're easy to apply to what's already in your closet.
For a standard 90-minute senior portrait session, I recommend two to three outfits. That's the sweet spot between variety and depth. With two looks, we can spend real time with each one — exploring the location, trying different poses, capturing genuine expressions — rather than rushing through a wardrobe change every 20 minutes.
I see seniors sometimes arrive with five or six options, which creates more decision fatigue than it solves. More outfits means less time with each, and the images from later in a rushed session rarely match the quality of what we captured early on when everyone was relaxed and in the flow. Two strong looks will always outperform five mediocre ones.
A practical approach: choose one look that's more polished — something a parent will love and that would work for yearbook purposes — and one look that's more personal and personality-driven. The contrast between the two makes for a stronger final gallery, and it usually means both the senior and the parents walk away with images they genuinely love.
Color choice is the single biggest variable I can influence before we even pick up a camera. The South Shore's natural backdrops — blue-gray ocean water, golden marsh grass, deep green forest canopy, weathered cedar shingles — create a specific visual palette. Certain clothing colors harmonize with this palette; others fight it.
Colors that consistently work well: navy, burgundy, forest green, warm rust or burnt orange, camel, cream, dusty rose, charcoal, and deep plum. These tones either complement or contrast beautifully with the natural environments we work in. Navy is probably my most universally recommended color — it works at the beach, in the woods, against stone walls, in open fields. It photographs clean, it flatters most skin tones, and it reads as polished without being stiff.
Colors that create challenges: bright white (especially in direct sunlight — it blows out and becomes a focal point rather than a background), neon tones (impossible to expose correctly alongside skin tones), and bright yellows or oranges that can cast unflattering color onto the face in certain lighting. Light gray can also fall flat in overcast conditions, which we get regularly on the South Shore.
If you're torn between two options, lean toward the deeper, richer choice. Bolder colors photograph with more presence and hold their impact in print and on screens.
Fit is everything. An expensive outfit that doesn't fit will always look worse than an inexpensive outfit that fits perfectly. Before your session, try on each planned look and move around in it — sit down, stand up, reach your arms over your head. Anything that pulls, bunches, gaps, or rides up when you move will do exactly those things in photographs, and fixing it in post takes significant time.
Texture adds depth. A solid knit sweater photographs with more visual interest than a flat jersey tee. A denim jacket, a linen blazer, a woven cardigan — these textures catch light in ways that make images feel more three-dimensional and editorial. When I'm looking at a final gallery, the images with textured clothing almost always have more visual richness than the ones with flat fabrics.
Wrinkle-prone fabrics are a real risk. Linen in particular, which is extremely popular, wrinkles badly in New England humidity and in the car ride to the session. If you love linen, bring a steamer or plan to iron immediately before leaving. Avoid fabrics that show sweat, especially for warmer-month sessions — the South Shore's humidity can make certain synthetic materials uncomfortable and visible.
Large visible logos and text. Brand logos and graphic tees are the most common thing I gently steer seniors away from. They draw the eye immediately, they date quickly, and they pull attention away from your face. If you want to incorporate a band tee or a favorite brand piece, do it as a secondary layering item underneath an open jacket where it's subtle rather than dominant.
Uncomfortable shoes. You will be standing, walking, and moving around outdoor locations for 90 minutes. Heels that are painful after 20 minutes will show in your expression. Bring the beautiful shoes, wear them for a few intentional shots, then switch to something comfortable. Your face will look significantly better in comfortable footwear.
Wearing something for the first time at the session. New clothes can feel stiff, fit unexpectedly, or create discomfort you weren't anticipating. Wear each planned outfit at least once before your session — walk around in it, sit in it for an hour, get a real sense of how it moves. You want to feel like yourself in your clothes, not like you're trying something out.
How many outfits should I bring to my senior portrait session?
Two to three outfits is the sweet spot for a 90-minute session. One outfit takes 20-30 minutes to fully explore across different locations and setups. More than three looks tends to fragment the session — bring a backup in the car if you're uncertain, but arrive with your top favorites already decided.
What colors work best for senior portraits on the South Shore?
Solid, rich tones photograph best — navy, burgundy, forest green, warm rust, cream, and soft camel all work beautifully across our coastal and woodland settings. Avoid neon colors and large amounts of bright white in direct sunlight. Slightly deeper tones hold detail better than pale pastels at bright coastal locations.
Should I wear formal or casual clothing for my senior portraits?
Most seniors do best with a mix — one more formal or polished look and one more relaxed, personality-driven outfit. The formal look satisfies parents and yearbook requirements; the casual look often produces the images seniors love most. Everything should feel genuinely like you — not a costume.
Can I wear patterns or prints for my senior portraits?
Small, subtle patterns work well — fine stripes, light textures, simple florals add visual interest without distraction. Avoid large busy patterns, bold plaids, and graphic prints. If you love a patterned piece, pair it with solid separates to keep the overall look balanced and focused on your face.
What should I avoid wearing for senior portraits?
Large visible logos or text, overly wrinkled fabrics, shoes that are painful to stand in for 90 minutes, and anything that doesn't fit well. Also avoid wearing an outfit for the first time at the session — you want to know it's comfortable before you arrive.
PRO TIP
“The seniors who walk into a session genuinely confident in their outfits always have a better time — and it shows in every single frame. Spend real time on this before the day. Lay everything out, try it on, get a second opinion from someone whose taste you trust. Then stop thinking about it. The outfit is done. Now just show up and be yourself.”
Spring and fall dates book quickly across the South Shore. Reach out now to check availability and start planning your session.

ABOUT THE AUTHOR
Chris McCarthy is a portrait photographer based in Rockland, MA who has completed more than 500 portrait sessions across the South Shore since opening his studio in 2014. He specializes in headshots, senior portraits, branding, family, and maternity photography — shooting at his studio at 83 E Water St and on-location throughout southeastern Massachusetts at places like World's End, Scituate Harbor, Duxbury Beach, and the North River conservation land in Norwell.
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